September 3, 2018 at 9:20 pm | Posted in Reviews | Leave a comment

Christian Rønn & Ikue Mori: Chordis Et Machina LP
This is a delightful collection of improvised spluttery noises, knocks, electro-acoustic sorcery, and the types of electronic buzzing that make you think the arm of the turntable is skating across the record, but it’s not. Ikue Mori is just credited with “electronics”, but Christian Rønn plays upright piano, prepared grand piano soundboard, FX, and Buchla and Serge synthesizers. There’s some sparse moments, but other times you need to listen several times in order to get an idea of everything going on. It sounds very random and sometimes accidental/by chance, and that could all be a turn-off for some listeners, but for me, the way they venture into the unknown sounds utterly exciting. The clipped pianos which rumble throughout “Loch Ness” add some eeriness, but still in sort of a sideways, refracted through broken prisms kind of way. “Primordial Chaos” is more piano-heavy, coming closer to a glitch-enhanced Conlon Nancarrow player piano study. “The Path” is maybe the most abduction-like piece. Really fun album, and I’m sure it was a total blast to create as well.
September 3, 2018 at 4:28 pm | Posted in Reviews | Leave a comment

Well: Tape
This minimal-info tape from Portugal starts out with a 25-minute live seance for its first side. “Mass In C Minor For Diskette Box” sounds like it couldn’t have taken more than a few small machines to make, but the duo manage to conjure ghosts that the machines’ manufacturers certainly weren’t aware were inside of them. Starting with a prowling drone, a clicking beat gradually grows louder and more out of control. It eventually dies down, but then other noises begin to swarm like an ever-growing flock of mechanical robot birds. Once the terror becomes too much to bear, things start exploding and shooting off into space. The other side of the tape has several shorter pieces, allowing for more concentrated panic bursts (“Short-Circuit”) as well as the seep-into-your-consciousness drone “Bird Road”. Still available from
Bandcamp.
September 2, 2018 at 11:39 am | Posted in Reviews | Leave a comment

Peace To Mateo: Some Strange Reason
Young Heavy Souls is quickly becoming Detroit’s premier label for all things downtempo, wonky, and experimental hip-hop. They’ve already released records by alumni of Ninja Tune, Ghostly, and Mush Records, as well as several promising local artists. Peace To Mateo (Matt Black) is the head of the label, and his newest album is a concentrated dose of dreaminess featuring ethereal scratching, ghostly voices, and jazzy horns. Rather than a sample-driven beat tape, this is an album of proper compositions, with live recordings weaved in a collage-like manner. There’s a heavy dub influence to the bass and effects of tracks like “Blue Light Ocean”, yet the slight wonkiness of “Splash Damage” clearly puts it in the category of post-Brainfeeder hip-hop. Nothing here ever seems hard or aggressive, but tracks like “Lazerdisk” and “Court the Void” are still just a slight bit twisted or more muscular enough to grab your attention instead of simply fading away into an anonymous stream of chilled-out beats.
September 2, 2018 at 11:08 am | Posted in Reviews | Leave a comment

Acemo: EP 12″
Brooklyn’s Acemo previously appeared on Color Plus’
Vanity Press 12″, and now he has a solo EP on the label. “R.E.M. Dance” is bright, upbeat electro-techno with sunray-like synth pads and an appropriately dreamy sense of optimism. “Get It From The Sound” is lo-fi and slightly menacing, with garage-house chords and snapping electro beats, as well as rough vocals not dissimilar to “Da Back”, Acemo’s Color Plus collaboration. “The Essence” has more floating garage chords and a bit more of a neon-streaked electro feel. “Speedn N Smokin” is practically all percussion, with an occasional emphasis on the kick drum in order to give it sort of a sideways bump. As an added bonus, the
digital version on Bandcamp has an extra track, “Jam 1212”, another track with snapping electro beats as well as loosely bouncing notes which vaguely tip towards trance.
September 1, 2018 at 12:19 pm | Posted in The Answer Is In The Beat | Leave a comment
2:01 am Rejoicer ~ Yesterday’s Forest Magic ~ Energy Dreams (new) ~ Stones Throw ~ 2018
2:04 am Peace To Mateo (local) ~ Blue Light Ocean ~ Some Strange Reason (new) ~ Young Heavy Souls ~ 2018
2:08 am Dorian Concept ~ E13 ~ The Nature of Imitation (new) ~ Brainfeeder ~ 2018
2:13 am Sun Ra and His Arkestra ~ Just In Time ~ Bad And Beautiful ~ Greyscale ~ 1961
2:17 am Pram ~ Ladder to the Moon ~ Across the Meridian (new) ~ Merge ~ 2018
2:22 am Marie-Josée Fa ~ C’est Tabou Ça ~ France Chébran Volume 2: French Boogie 1979-1982 ~ Born Bad ~ 1983
2:26 am Strict Face ~ Rouge Park ~ NLV Records Sampler ~ NLV Records ~ 2015
2:31 am Larry Kucharz ~ Blue Drawing No. 01 ~ Blue Drawings and Text ~ International Audiochrome, Inc. ~ 2008
2:35 am Inhalt ~ Alles ~ Commerce (new) ~ Dark Entries ~ 2018
2:40 am Daniel Davies ~ Body Obtained ~ Events Score (new) ~ Lakeshore ~ 2018
2:43 am Matchess ~ The Rafter ~ October 13, 2016 ~ Bandcamp ~ 2016
2:49 am Rafael Anton Irisarri ~ Still ~ Musique Pour Statues Menhirs ~ Arbouse Recordings ~ 2009
2:54 am Rafael Anton Irisarri ~ Abandoned (too soon) ~ Unreleased Tracks 2009 ~ Fugues ~ 2009
3:04 am Orphanage (local) ~ Triggering ~ mp3 (new) ~ Bandcamp ~ 2018
3:12 am Glenn Jones ~ The Giant Who Ate Himself ~ The Giant Who Ate Himself and Other New Works for 6 & 12 String Guitar (new) ~ Thrill Jockey ~ 2018
3:16 am Von Hayes ~ Chrystal Manor ~ Gunga Gunga Chi Chi (new) ~ self-released ~ 2018
3:18 am True Blue (local) ~ Look What You’ve Done ~ Solitary Queen (new) ~ self-released ~ 2018
3:21 am Grasses (local) ~ Wake Up ~ Visions (new) ~ self-released ~ 2018
3:24 am ginla ~ Infinite ~ Codex (new) ~ Terrible Records ~ 2018
3:28 am Erica Eso ~ House That’s Always Burning ~ 129 Dreamless GMG (new) ~ NNA Tapes ~ 2018
3:35 am Thou ~ The Changeling Prince ~ Magus (new) ~ Sacred Bones ~ 2018
3:41 am Octo Octa ~ For My Girls ~ mp3 (new) ~ Soundcloud ~ 2018
3:45 am Justin Martin & Leroy Peppers ~ Riding Spaceships (Shadow Child In Search Of 94 Mix) ~ Sick Music 2018 ~ Hospital Records ~ 2012
3:49 am Souljah ~ Fade 2 Black ~ Urbanology ~ Hardleaders ~ 1997
3:55 am Nasty Habits ~ Shadow Boxing (The Remix) ~ 12″ ~ 31 Records ~ 1997
4:04 am Future Forces ~ Tanhauser’s Gate ~ 12″ ~ Rawkus Primitive ~ 1997
4:12 am Ghost Culture ~ Axon (Legowelt Remix) ~ 12″ (new) ~ Phantasy Sound ~ 2018
4:18 am DJ Spider ~ Pleiadian Agenda ~ Human Erosion Field EP (new) ~ Out-ER ~ 2018
4:24 am Scan X ~ Metempsychose ~ 12″ ~ Fnac ~ 1993
4:34 am Jeff Greinke ~ Before Sunrise ~ Before Sunrise (new) ~ Spotted Peccary ~ 2018
4:40 am Mr. Oizo ~ Flat Beat (at 33!) ~ 12″ ~ F Communications ~ 1999
4:47 am Thomas Fehlmann ~ Window ~ Los Lagos (new) ~ Kompakt ~ 2018
4:55 am Flora FM (local) ~ Artificial Limb Company ~ EP (new) ~ Vanity Press Records ~ 2018
5:01 am Oscar Huang ~ Heel N Toe ~ 7″ (new) ~ Vanity Press Records ~ 2018
5:06 am Acemo ~ R.E.M. Dance ~ EP (new) ~ Vanity Press Records ~ 2018
5:13 am Helena Hauff ~ Lifestyle Guru ~ Qualm (new) ~ Ninja Tune ~ 2018
5:18 am TWINS ~ Open Up ~ That Which Is Not Said (new) ~ 2MR ~ 2018
5:23 am Benni ~ Dance of the Eridani ~ The Return (new) ~ Goner Records ~ 2018
5:30 am Dean Spunt ~ Locker ~ EE Head (new) ~ Radical Documents ~ 2018
5:41 am Christian Rønn/Ikue Mori ~ Loch Ness ~ Chordis Et Machina (new) ~ Resipiscent/Tonometer Music ~ 2018
5:48 am Emily Hay/Steuart Liebig Duo ~ VU Symposium 02 ~ Nomads (new) ~ pfMENTUM ~ 2018
5:53 am Steve Hauschildt ~ Dissolvi ~ Dissolvi ~ Ghostly International ~ 2018
August 31, 2018 at 10:59 pm | Posted in Reviews | Leave a comment

True Blue: Solitary Queen tape
The debut EP from recent Local Music Show guest True Blue (Detroit-based singer/songwriter Alexandria Berry) contains four incredibly powerful, hook-filled tunes about yearning, disappointment, and abandonment. Berry multi-tracks her vocals, guitar, and bass, while Dina Bankole (Secret Twins, Swimsuit, Casual Sweetheart) provides steady yet urgent backbeats. Berry’s songs are simply constructed yet scathing. There’s a whole lot of vitriol on songs like “Look What You’ve Done” and “Not Anymore”, and especially the nagging “Only If You Want To”, yet the songs don’t
sound harsh or abrasive. They’re easy-to-swallow garage pop tunes, but the lyrics really dig into my heart. Currently on repeat, and it sounds better every listen. True Blue will be opening for Fred Thomas (who mixed and mastered this tape) at Outer Limits Lounge in Hamtramck on September 19, and I do not want to miss it! Stream and buy the limited cassette at
Bandcamp.
August 31, 2018 at 10:19 pm | Posted in Reviews | Leave a comment

Dean Spunt: EE Head LP
No Age’s Dean Spunt picks apart a few, sparse musical elements and recombines them in order to create very detached, quasi-musical pieces which nevertheless have some sort of forward motion to them. There’s some tenuously connected arcs of feedback, some nearly accidental-sounding drum crashes and sample bursts, and a starkly thumping electronic kick drum which seems to sleepwalk through it all. It’s divided into four pieces, but it’s essentially one thematic work. It does get a bit more kinetic at the beginning of the second side, however, where the beat picks up and the feedback becomes more wavy and forcefield-like. The following “Locker” mostly just sounds like a motor running, but there’s a very few brief moments where notes are faintly audible. This was originally performed at a gallery in New York last year, and it’s easy to imagine the artist just sitting at a desk with a few small machines in front of him in a nearly blank room.
August 31, 2018 at 9:05 pm | Posted in Reviews | Leave a comment

Erica Eso: 129 Dreamless GMG
Erica Eso are a Brooklyn-based group who write experimental pop songs which generally sound breezy and groovable, even chilled out, yet they’re far from conventional or straightforward. Lead vocalist and composer Weston Minissali is also in Cloud Becomes Your Hand, a group known for cartoonish, Zappa-like prog-pop, and while it’s easy to recognize similarities in both band’s approaches, Erica Eso are far more in tune with radio-ready pop and R&B, and generally sound more polished and accessible… to an extent. The harmony-heavy “Gun-Metal Grey” could be mistaken for a chillwave track, if not for the showers of mutant sax and subtle rhythmic trickery. “Fire Is The Mouth” has a motorik beat which speeds up at the beginning, as well as heaps of unexpected guitar noise (courtesy of Delicate Steve). “Love-Gun” is much calmer, with echoing-thought duet vocals (including a momentary reference to eccojam favorite “Too Little Too Late” by Jojo). The two-part “Mirror Stage” is a total departure into abstract weightlessness, with sporadic electronic drums clattering around detached guitar howls. “Vaccination Free” inhabits similar territory, except it’s accompanied by a robotic choir, which at one point describes the group’s sound as “femmed-out microtonal synth-pop”. “House That’s Always Burning” ends this short album with another futuristic hyper-pop gem, blending proggy arrangements with neon synths and radio-ready vocals courtesy of Angelica Bess (recent collaborator with Chrome Sparks, Giraffage, Machinedrum, etc).
August 31, 2018 at 9:41 am | Posted in Crush Collision | Leave a comment
10:01 pm Morgan Blanc ~ Keep Moving
10:05 pm Owain K ~ Pixeled Scenery
10:09 pm Bad Channel ~ B
10:14 pm Aleksandir ~ Dreams (Seb Wildblood Remix)
10:17 pm Nark ~ Sunrise Climb (Octo Octa Remix)
10:20 pm Call Super ~ Music Stand
10:23 pm Synkro & Arovane ~ Aspen
10:27 pm Luxus Varta ~ Nixit
10:31 pm HKE ~ Holy Machine
10:35 pm Hobo ~ Here Comes Everybody
10:39 pm DJ Haus ~ Operate It, Press Play
10:42 pm Jónó Mí Ló ~ Diplomacy
10:48 pm Move D ~ Outer Rim 64
10:53 pm Spatial ~ Chronic
10:59 pm Andu Simion ~ Heavy Glow
11:03 pm TWINS ~ Lightweight
11:06 pm Steve Hauschildt ~ Phantox
11:08 pm Nicolas Bougaïeff ~ Dust (Max Cooper Remix)
11:17 pm Swayzak ~ Winter Boys
11:21 pm Herzel ~ Spark Loop
11:25 pm Marquis Hawkes ~ Don’t Do Acid
11:28 pm Neville Watson ~ Acid Wipe
11:35 pm Mathew Jonson ~ Decompression (GMT Remix)
11:39 pm Buck ~ Sunday Wave (Svreca Remix)
11:45 pm Shawn Rudiman ~ Switching Rails
11:51 pm Blow & Zavor ~ Assolo 001 (Sebastian Mullaert Remix)
11:57 pm Arkajo ~ Tape 16
August 26, 2018 at 6:42 pm | Posted in Reviews | Leave a comment

Grasses: Vision tape
Local trio making garagey indie pop (think Bad Indians, Rebel Kind, etc) with a slight Krautrock influence. The emphasis is on songwriting, for sure, but they get locked into tight grooves on songs like “Today”. Other songs (“First Sister”, “Psychic Reality”) are more concentrated bursts of energy, while there’s slower, dreamier ones like “Glass Box” and “Colors”. There’s lots of highlights here, but the mysterious, perfectly constructed “Wake Up” stands out the most, and the luscious “See Again” is too lovely for words. Tape/download available from
Bandcamp.
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