Conflict at Serenity Pools: Type A/Type B (self-released, 2022)

April 20, 2022 at 10:59 pm | Posted in Reviews | Leave a comment

Conflict at Serenity Pools: Type A/Type B

California’s Conflict at Serenity Pools debut with two albums that roll post-punk, chillwave, shoegaze, and the psychedelic end of ’90s ambient techno into one hazy, washed-out sound. “Eat Salad” is a highlight of their ravey side, bringing to mind acts like Opus III and Ultramarine. Others like “Titanic Daddy” have funky basslines and handclap-heavy beats. “Seabird” sets swarming shoegaze guitars and multiple voices over racing new wave drums, constantly running towards the sun while high and trying not to topple over. “Bloomin'” is a steady dance instrumental that revs up and is constantly on the verge of blastoff. “Voices” is a Balearic house jam that bubbles ever upward, yet stays suspended in a perfect moment. “Through the Waves” is a flashback to the 2009 summer of chillwave, but trippier, and a reminder of how silly hipsters are for moving on from that style so quickly. The cosmic disco of “Not Dreams” slows down and gives way to the progressive electronic reflection “Inside”. “Silence Mantles” is more of an Underworld-like progressive house track that has some tantalizing vibraphone-like percussion. “Faraway” would seem like the perfect note for this to fade away on, but there’s another bubbly disco jam, “Underwater”, tucked away at the end.

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